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Bobby Chrisafis
Commercial Artist
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Youtube Thumbnails

I was hired to create engaging and exciting thumbnail art for a new Youtube Channel, "Wrestling Then and Now"
( https://www.youtube.com/channel/UC2ycdG9M4zsya6wCLN8NEaQ ), focused mainly on Wrestling "Shoot interviews". Each one was meant to reflect the person and the topic in question of each video.

I wanted to channel the chaotic hardcore/heavy metal nature of both Mosh and his tag team the "Headbangers" as he reflected on both in this clip.

I wanted to channel the chaotic hardcore/heavy metal nature of both Mosh and his tag team the "Headbangers" as he reflected on both in this clip.

Gary Cappetta recalls his eyewitness account of the incident that resulted in Mick Foley losing most of his ear. Due to the blood, this one was not used.

Gary Cappetta recalls his eyewitness account of the incident that resulted in Mick Foley losing most of his ear. Due to the blood, this one was not used.

A parody of the famous "Damaged" Album Cover from Black Flag to again reference the tone of Mosh's gimmick and the usual aggressive nature of a "shoot". This one wasn't used.

A parody of the famous "Damaged" Album Cover from Black Flag to again reference the tone of Mosh's gimmick and the usual aggressive nature of a "shoot". This one wasn't used.

I tried to make this one look like one of those old punk/metal gig flyers from the 80s, which were renowned for their poor quality and black and white aesthetics.

I tried to make this one look like one of those old punk/metal gig flyers from the 80s, which were renowned for their poor quality and black and white aesthetics.

Mosh was asked about the brief period of time when he was repackaged as "Beaver Cleavage"- a very ill advised parody of Beaver from "Leave it to Beaver". With that in mind I tried to mirror the 50s/60s American Sitcom aesthetics.

Mosh was asked about the brief period of time when he was repackaged as "Beaver Cleavage"- a very ill advised parody of Beaver from "Leave it to Beaver". With that in mind I tried to mirror the 50s/60s American Sitcom aesthetics.

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